Keith A. Lewis
333 Summit Avenue E, #301
Seattle, Washington 98102
P: /206/ 323 2251
F: /815/ 361 0655
My jewelry testifies to the ambiguity of being a Queer man lost in Amerika. It scrutinizes this crabbed and bitter nation through the clouded saline lens of a diminishing community dwindling under the onslaught of diseases of the body and of the body politic. As virus and virulence buffet us, I navigate the slipstreams of heart, gonads and conscience-making jewelry as records of lost chances, vessels of memory, quiet calls-to-arms and as talismans of grief.
MASTER OF FINE ART: JEWELRY & METALSMITHING. 1993
Kent State University, Kent, OH.
BACHELOR OF SCIENCE: CHEMISTRY. 1981
Dickinson College, Carlisle, PA.
CENTRAL WASHINGTON UNIVERSITY. Ellensburg, WA. Fall 1994/ present.
Associate Professor of Art /Jewelry/Metals/Design/
CENTRAL WASHINGTON UNIVERSITY. Ellensburg, WA. Spring 1994.
Visiting Lecturer /Jewelry/Metals/Design/Contemporary Art Theory/
UNIVERSITY OF WASHINGTON. Seattle, WA. Fall/Winter 1993/94
Visiting Lecturer /Jewelry/Metals/Contemporary Art Theory/
GEO ANALYTICAL INC.Twinsburg, OH. 1992/93
Environmental Bench Chemist
KENT STATE UNIVERSITY. Kent, OH. 1990/92
Graduate Teaching Assistant /Jewelry/Metals/
BARCROFT CO. (RHONE-POULENC RORER). Lewes, DE. 1984/90
Inorganic Analytical Chemist
Seattle Metals Guild. 1995/present
Washington Guild of Goldsmiths. 1988/91
Society of North American Goldsmiths (SNAG). 1988/present
American Chemical Society. 1983/90.
Delaware Lesbian and Gay Health Advocates. 1984/90. Directing Board Member. 1987/90
ACT-UP: Delaware. Co-Founder. 1990.
1998 Society of North American Goldsmiths Student Exhibition. Jacob Lawrence Gallery, University of Washington. /co-curator/ Mar/Apr 1998. /catalog/essay/
- METALSMITH Magazine. /SNAG/ Editorial Advisory Committee:1996/98, Chair: 1997/98.
- 1998 SNAG CONFERENCE. Programming Committee: SNAG/Seattle Metals Guild. 1996.
- UNIVERSITY SERVICE (Central Washington University)
- Campus Climate Task Force. 1994/95.
- Curriculum Committee. Art Department. 1995-2000.
- Scholarship & Awards Committee. Art Department. 1996-99.
- CAH Scholars Program Committee. College of Arts & Humanities. 1997/present.
- CAH Deans Advisory Committee. College of Arts & Humanities.1999/present.
- Accreditation Sub-Committee. 1998/1999.
- Faculty Senate Alternate. Art Department. 1996/97.
- Faculty Senator. Art Department. 1997/2000 & 2000/present.
- Faculty Senate Ad Hoc Committee. Summer 1998/present.
- Faculty Senate Market DefinitionCommittee. 1999/2000.
- Graduate Council. 2000/present.
- Various Hiring Committees. Art Department. 1994/present.
GRANTS & AWARDS
International Travel Grant. CWU International Programs. Summer 2000. /$600/
Who's Who in the World, 17th ed. Marquis Who's Who. /in press for 2000/
Artist Trust 1999 Craft Fellowship, Artist Trust/ WA Arts Council, Seattle, WA. /$5500/
Who's Who in the West, 27th ed., 1999, Marquis Who's Who, New Providence, NJ.
Faculty Research Leave. CWU Faculty Research Committee. Winter Quarter 1999 /full salary/
CAH Summer Scholarship/Creativity Grant. CWU College of Arts & Humanities.
Summer 1998. /$1000/
Graduate Teaching Award. Kent State University Graduate Senate, Kent, OH. 1991.
Honorable Mention. Student Annual Art Show, Kent State University, Kent, OH. 1991.
Analytical Chemistry Prize. American Chemical Society, Dickinson College, Carlisle, PA. 1979.
Travel Grants. CWU Art Department, College of Arts & Humanities, Graduate College. /periodic/
ONE/TWO PERSON EXHIBITIONS
1999 Uncover. Susan Cummins Gallery, Mill Valley, CA. Nov. /postcard/
1995 Animal Urges. Susan Cummins Gallery, Mill Valley, CA. Oct/Nov. /postcard/
1993 Her Story, His Story. /Dual show with Kathleen Browne/ Akron Art Museum, Akron, OH.
Oct/Jan, 1993/94. /brochure, photos/
Cutting Losses. Susan Cummins Gallery, Mill Valley, CA. July. /postcard/
MFA Thesis Exhibition. School of Art Gallery, Kent State University, Kent, OH. May.
1988 Keith A. Lewis: Works in Metal. The Blue Moon, Rehoboth Beach, DE. Sep. /2 postcards/
2000 Attitude and Action! /touring group exhibition/
Curator: Gail Brown. /color brochure, photo/
University of Birmingham, Birmingham, England. July/Aug 2000.
DESIGNyard, Dublin, Ireland. Sep/Oct 2000.
1996 New Times, New Thinking: Jewelry in Europe and America. /touring group exhibition/
Curator: Ralph Turner.
Crafts Council, London, England. Sep/Nov 1996. /poster, brochure, book/
National Museum of Wales Cardiff, Wales.Dec/Mar 1996/97. /brochure, photo/
Signals: Late Twentieth-Century American Jewelry /touring group exhibition/
Curator: Gary Griffin.
Cranbrook Art Museum, Bloomfield Hills, MI. Nov/Jan 1996/97.
Montreal Museum of Decorative Arts, Quebec, Canada. Oct/Jan 1998.
(American) Revelations. /touring juried exhibition/
Juror: Richard Mawdsley
Shipley Gallery, Gateshead, England. Mar/May 1996. /catalog, photo/
Birmingham School of Jewellery and Silversmithing, Birmingham, England.
Surrey Institute of Art, Farnam, England. Nov/Jan 1996/97.
Cleveland Craft Centre, Middlesbrough, England. Jan/Mar 1997.
National Ornamental Metals Museum, Memphis, TN. Nov/Feb 1997/98.
Society for Contemporary Crafts, Pittsburgh, PA. Mar/May 1998.
NATIONAL INVITATIONAL EXHIBITIONS
2000 Substance: The Power of Jewelry. Mobilia Gallery, Cambridge, MA. Mar. /forthcoming/
Drawing the Lines: Selections From Sketchbooks. Society of Arts & Crafts Gallery, Boston, MA. Mar./Apr. 2000. /forthcoming/
Curator: Gail Brown
1999 Shadow of Menory. Susan Cummins Gallery, Mill Valley, CA. Dec. /card/
SOFA Exposition /New York, NY/. Susan Cummins Gallery, Mill Valley, CA. May.
Beyond the Obvious: Rethinking Jewelry. /touring curated exhibition/
Curator: Susan Cummins /catalog, photos, brochure/
San Francisco Craft and Folk Art Museum, San Francisco, CA. Oct. 99/Jan. 00.
Arkansas Art Center, Little Rock, AK. Jan./Feb. 00. /forthcoming/
Toledo Museum of Art, Toledo, OH. July-Oct. 00. /forthcoming/
1998 SOFA Exposition /Chicago, IL/. Susan Cummins Gallery, Mill Valley, CA. Oct.
Gendered Memories: Adornment Uncontained. Cardinal Stritch University Art Gallery,
Cardinal Stritch University, Milwaukee, WI. Mar.
Curator: Michal Ann Carley
1997 SOFA Exposition /Chicago, IL/. Susan Cummins Gallery, Mill Valley, CA. Oct.
Adornment for Performance: Jewelry for the Opera. Susan Cummins Gallery, Mill Valley,
CA. Sep/Oct. /card/
Centennial Metals.The Society of Arts and Crafts, Boston, MA. May/Jun. /card/
Curator: Michael Monroe.
Jewels: National Jewelry Invitational. University of Texas at El Paso, El Paso, TX. Mar/Ap.
Curator: Rachelle Theiwes.
1996 VIEWPOINT: Art As Message. Craft Alliance, St. Louis, MO. Sep/Nov 1996. /catalog,photo/
Curator: Jane Sauer.
Sculpture To Hold. Stewart/Kummer Gallery, Gualala, CA. Aug/Jan 1996/97.
Issues and Intent: Contemporary American Metalwork. Susan Cummins Gallery, Mill
Valley, CA. Jan..
1995 Heroic Influences. Susan Cummins Gallery, Mill Valley, CA. Dec.
"Exhibition in Print". SOFA/SNAG. Navy Pier, Chicago, IL. Nov.
SOFA Exposition /Chicago, IL/. Susan Cummins Gallery, Mill Valley, CA. Nov.
1994 The Gold Show. Palo Alto Cultural Center, Palo Alto, CA. Nov 1994/Jan 1995.
SOFA Exposition /Chicago, IL/. Susan Cummins Gallery, Mill Valley, CA. Nov.
The Telling of Stories. The Society of Arts and Crafts, Boston, MA. Aug/Sep.
Curator: Gail Brown.
Seattle Artfair /Seattle, WA/. Susan Cummins Gallery, Mill Valley, CA. Feb.
1993 The Weight of Gold. Susan Cummins Gallery, Mill Valley, CA. Dec.
Subversive Crafts. List Visual Arts Center, Mass. Institute of Technology, Cambridge, MA.
May/Jun. /catalog, photos/
All That Glitters. Tempe Arts Center, Tempe, AZ. Jan/Mar.
1990 National Metals Invitational. Galleria Mesa , Mesa Arts Center, Mesa AZ. Nov/Dec. /brochure, photo/
NATIONAL JURIED EXHIBITIONS
1991 Copper 3. Old Pueblo Museum, Tucson, AZ. Dec/May 1991/92. /catalog/
Hidden Personas. Galleria Mesa, Mesa Arts Center, Mesa, AZ. Dec/Jan 1991/92.
1990 Fishtales. Galleria Mesa, Mesa Arts Center, Mesa, AZ. Mar/Apr. /catalog/
1989 Animal Imagery: New Forms, New Functions. Arrowmont School of
Arts and Crafts, Gatlinburg, TN. Feb/May.
REGIONAL JURIED/INVITATIONAL EXHIBITIONS
2000 Seattle Metals Guild Biannual Show. Washington State Convention and Trade Center,
Seattle, WA. Oct/Jan 00/01.
1999 CWU Faculty Show. Spurgeon Gallery, Central Washington University, Ellensburg, WA. Feb.
1998 Torch Songs: 50 Years of Northwest Jewelry.Tacoma Art Museum, Tacoma, WA. Jul/Sep.
Curator: CeCe Noll. /brochure, card/
Seattle Metals Guild Biannual Member's Show. Washington State Trade & Convention
Center, Seattle, WA. Mar/Jun. /catalog, photo/
1996 CWU Faculty Show. Allied Arts Center Gallery, Yakima, WA. July/Aug. /card, photo/
1995 CWU Faculty Show. Spurgeon Gallery, Central Washington University, Ellensburg, WA. Mar.
1992 Student Annual Art Show. School of Art Gallery, Kent State University, Kent, OH. Feb.
1991 Precious Objects. Touchstone Center For Crafts/ Abby's Gems & Gold, Uniontown, PA. Sep.
1990 Winter Invitational. Susan Issacs Gallery, Wilmington, DE. Dec/Jan 1990/91.
Graduate Student Show. Gallery II, Kent State University School of Art. Kent, OH. Nov.
Four Delmarva Metalsmith. Tideline Galleries, Rehoboth Beach, DE. Jul/Aug.
Student Annual Art Show. School of Art Gallery, Kent State University,
Kent, OH. Jan. /Honorable Mention/
1989 Metalwork 89. Partner's Gallery, Bethesda MD. Dec/Jan 1989/90. /catalog, photo/
Winter Invitational. Susan Issacs Gallery, Wilmington, DE. Dec/Jan 1989/90.
Washington Guild 10th Anniversary Exhibition. Art Connections, Bethesda, MD. Nov/Dec.
Delmarva Metalsmiths: Diverse Visions.Tideline Galleries, Rehoboth Beach, DE. Jul/Aug.
Men of Steel. Art Connections, Bethesda, MD. Jul/Aug.
1988 18th Creative Crafts Council Show. Strathmore Arts Center, Rockville, MD.June/July.
The Red Show. Clayton Hall, University of Delaware, Newark, DE. Feb.
WORKSHOPS & RESIDENCIES
Surface Development in Metals. Instructor. Oregon College of Arts & Crafts, Portland, OR. Feb. 2000.
Host: Christine Clark.
Visiting Artist. Evergreen State College, Olympia, WA. Oct. 1999.
Host: Jean Mandenburg.
Visiting Artist. SUNY- New Paltz, New Paltz, NY. Feb 1999.
Hosts: Jamie Bennett, Myra Mimlitsch Gray.
Surface Development in Metals. Instructor. Calif. College of Arts & Crafts, Oakland, CA. Aug 1998.
Host: Marilyn da Silva.
Mini Workshop: Color. Presenter. Pratt Fine Arts Center, Seattle, WA. Nov 1997.
Visiting Artist. California College of Arts and Crafts, Oakland, CA . Nov 1997.
Host: Marilyn Da Silva.
Visiting Artist. Evergreen State College, Olympia, WA. Feb 1997.
Host: Jean Mandenburg.
Invited Artist: Precious Metal Clay Master Class. Oregon College of Arts & Crafts, Portland, OR.
Sponsor: Mitsubishi Materials, Japan.
Visiting Artist. University of Oregon, Eugene, OR. May 1996.
Host: Kate Wagle.
Surface Design Intensive. Instructor. Pratt Fine Arts Center, Seattle, WA. Sep 1995.
Visiting Artist. Cranbrook Academy of Art, Bloomfield Hills, MI. April 1995.
Host: Gary Griffin.
Handmade Findings Workshop. Sawtooth Center, Winston-Salem, NC. Nov 1992.
Handmade Findings Workshop. Washington Guild of Goldsmiths, Montgomery College, Rockville, MD. Oct 1989.
Artist in Residence. Delaware Technical & Community College, Wilmington, DE. Mar/Nov/Dec 1986, Mar. 1987.
Panel Discussion on Faculty Scholarship. Fall Faculty Meeting. Central Washington University. Sep. 2000
Panel Discussion; "Beyond the Obvious". San Francisco Museum of Craft & Folk Art,
San Francisco, CA. Oct. 1999.
Participants: K. Lewis, J. Bennett, S. Sherman, L. Gralnik. Moderator: Susan Cummins.
"Embodied: flesh, memory & longing" /artist statement/lecture/various versions/
Oregon College of Arts & Crafts, Portland, OR. Feb. 2000.
Yuma Symposium, Yuma, AZ. Feb. 2000.
Evergreen State College, Olympia, WA. Oct. 1999.
CWU SOURCE Symposium, Central Washington University, Ellensburg, WA. May 1999.
"Draped Memory". Artist Talk/ Slide Lecture. CWU Scholarship Colloquium, Central Washington University, Ellensburg, WA. Jan 1999.
"Nothing Personal (?)". Debate on Personal Expression in Contemporary Jewelry, SNAG Annual Conference, Seattle,WA. Mar 1998.
Debate Opponent: Jamie Bennett. Moderator: Kate Wagle.
Artist Talk/Slide Lecture. Introductory Jewelry Class, Pratt Fine Arts Center, Seattle, WA, Jul 1997.
"Contemporary Jewelry & Metalsmithing". Issues & Influences class, University of Washington, Seattle, WA, Mar 1997.
"Exhibition in Print Panel". Panelist. SOFA Exposition, Chicago, Il, Nov 1995.
"Body Language/Body Politic" /artist statement/lecture/various versions/
University of Wisconsin/ Green Bay, Green Bay, WI, Apr 1999.
SUNY: New Paltz, New Paltz, NY, Feb 1999.
California College of Arts and Crafts, Oakland, CA, Nov 1997.
Evergreen State College,Olympia, WA, Feb 1997.
Central Washington University, Ellensburg, WA, Nov 1996.
University of Oregon, Eugene, OR, May 1996.
SOFA Exposition, Chicago, Il, Nov 1995.
Pratt Fine Arts Center/ Seattle Metals Guild, Seattle, WA, Aug 1995.
Cranbrook Academy of Art, Bloomfield Hills, MI, Apr 1995.
"Torching the Potemkin Village/ On the Lam From Fantasy Island:
Craft as Weapon/ Craft as-Map".
University of Oregon, Eugene, OR, May 1996.
Northwest Jewelry Symposium,Seattle. WA, Oct 1994.
"Cupid's Arrow, Achilles' Heel: Good Intentions and Sloppy Thoughts in Craft". Seattle Metals Guild, Seattle, WA. Apr 1994.
"Beyond Decoration". /panelist/speaker/ SNAG Annual Conference. Portland, OR. Mar 1994.
"What's Good? Determining Quality in Art Jewelry". /panelist/speaker/ New Art Forms Exposition, Chicago Il, Sep 1992.
"Artmaking and Received Mythology". Fiber/Metal Seminar, University of Washington, Seattle, WA. Jan 1992.
Artist Talk. Figurative Seminar, University of Washington, Seattle, WA. Jan 1992.
"Implications of Renegade Ornament", University of Washington, Seattle, WA. Jan 1991.
"Piercing: Ornamentation as Radical Statement". SNAG Annual Conference, San Francisco, CA.
"Some Objects Worth Listening To". Artweek, p 14, Nov 1995.
"Speakeasy Column". New Art Examiner, p9, Sep 1993.
"Review of the Atlanta SNAG Conference". Metalsmith, p.40, Fall 1991.
/passim for reader comments/author response/
"Renegade Ornament". Metalsmith, p10, Summer 1991. /photo/
"Elizabeth Chenoweth Palmer". /review/. Metalsmith, p38, Fall 1990.
"The Fragility of the Earth and the Ethics of Materials".
The Crafts Report, Oct 1989, p3.
"Ethics of Materials". Metalsmith, p. 6, Summer 1989.
CRITICAL REVIEWS & MENTIONS
2000 Santiago, Chiori, "Keith Lewis: Uncover", Metalsmith, p. 46, Summer 2000. /Photo/
1999 SOFA Chicago, /catalog/, Expressions of Culture/ Sterling Publishing, Chicago, IL. 1999
p. 210. /photo/
"CWUs Lewis Receives Fellowship", The Daily Record /Ellensburg, WA/
p. A6, Dec. 15, 1999.
"Beyond the Obvious/ Rethinking Jewelry", exhibition catalog, 64 pp. San Francisco Craft &
Folk Art Museum /San Francisco, CA/ 1999. /essay, photos, statements, biography/
Fogtman-Faust, Kristen, "Gendered Memories: Adornment Uncontained", Metalsmith, p. 46,
Spring 1999. /critical mention/
McCarthy, Kathleen, "Unique Stores, Unique Jewels", Jeweler's Circular Keystone Luxury
International, p. 6, Feb 1999. /photos, mention/
Raiteri, Linda L., " Revelations: New Jewelry", Metalsmith, p. 50, Winter 1999. /mention/
1998 Westbrooks, Rickie, Now is the Time To Write Your Poems: Revealing Existence, Dreams and Desires Through Symbolism. The Visual Aesthetic of Queer Men. MFA Thesis. East Tennessee State University. December 1998.
De Cerval, Marguerite, Dictionnaire International du Bijou, Editions du Regard, Paris, 1998,
p. 337/8. /photos, biography, critical mention/
Updike, Robin, "Adornment for Performance", Metalsmith, p. 44/45, Fall 1998.
Clayton, Alec, "Its A Jewel", Tacoma City Paper /Tacoma, WA/ July 16, 1998.
/photo, critical mention/
Updike, Robin, "Jewelry: Art on a Smaller Scale", Seattle Times, /Seattle. WA/, p. D1, Jul. 16,
Raether, Keith, "Doing Jewelry Justice", The News Tribune /Tacoma, WA/, p. D1-D2, Jul. 19,
1998. /photo/ /Letter-to-editor following: Jun. 7, 1998/
Wiles, Shelly E., "Exhibition: Torch Songs"; American Craft, p. 15, Summer 1998.
/photo, critical mention/
Museum Notes, Tacoma Art Museum; p. 3, Summer 1998. /photo, critical mention/
Exhibition Brochure /Torch Songs/, Tacoma Art Museum /Tacoma, WA/ Summer 1998.
/critical mention, biographical information/
Auer, James, "Exhibitors Blend Ideas into Intricate Metalwork"; Milwaukee Journal Sentinal /Milwaukee, WI/ Cue Section, 3/18/98. /critical mention/
Mensing, Margot, "Signals: Late 20th Century American Jewelry", Metalsmith, p. 17, 19, 24,
Winter 1998 /photo, critical mention/
1997 Lewis, Frank, "The Pleasures of Excess"; Metalsmith, p. 12-21, Summer 1997.
/photo, critical mention/
Kern, Dale, "Gem of a Show" /review of "Jewelry for Performance"/. Marin Independant
Journal, Marin Co., CA., p. E3, Aug. 4, 1997.
Mannisto, Glen, "Signals". American Craft, p52-55, Apr/May 1997. /photo, critical mention/
1997 "Central Prof Produces The Evocative Art". The Daily Record, /Ellensburg, WA/,
/cont/ Jan 15, 1997.
"What Jewelry Says About Society". Cranbrook Currents, Cranbrook Museum of Art, /Bloomfield Hills, MI/. Jan 1997.
1996 Shepley, Carol Ferring; "Viewpoint: Art as Message" /review/.
American Craft, p50-53, Dec/Jan 1996/97. /photo/
McClean, Paula, "Exhibition Aims to Put Jewellery on a Par with Sculpture" /review of "New
Times, New Thinking"/, The Western Mail, /Cardiff, Wales, UK/, p8, Dec 7, 1996. /mention/
Updike, Robin, "The Evocative Art". The Seattle Times Pacific Magazine /Seattle, WA/, p28,
Dec 1, 1996. /photos/
"Baubles, Bangles and Beads". The Detroit Jewish News /Detroit, MI/, Nov. 29, 1996. /photo/
Margolin, Michael, "Modernism, Jewelry as Personal Expression". The Oakland Press /Marquee/ /Oakland, MI/, Nov 15, 1996.
Chase, Alyssa; "Mixed Message" /review of "Viewpoint: Art as Message"/. Riverfront Times
/St. Louis, MO/, Oct 16, 1996.
1996 Turner, Ralph; "American Revelations" /review/. Crafts /UK/, p49, # 141, Jul/Aug 1996.
Turner, Ralph; Jewelry in Europe and America; New Times, New Thinking. Thames and
Hudson, Ltd, London, 1996. /photos: pp76/96/98, text: pp76/77/133/
1995 "Portfolio", American Craft, p54, Dec/Jan 1995/96. /statement/photo/
Metcalf, Bruce; "Jewelry Connoisseurship". Metalsmith, p6, Fall 1995.
Mayfield, Signe; The Gold Show /brochure/. Palo Alto Cultural Center /Palo Alto, CA/,
Feb. 1995. /essay/
Jiannacopoulos, Julia; "The Telling of Stories". Metalsmith, p48, Winter 1995. /photos/
1994 Penn, Beverly; "Transformations". Metalsmith, p10, Fall 1994. /photo/
Exhibition In Print: 1994. /pub: Metalsmith Magazine; p41, Fall 1994. /photos, statement/
Fazzolari, Bruno; "Keith Lewis: Cutting Losses". Metalsmith, p52, Winter 1994. /photos/
1993 Shinn, Dorothy; "Beauty With Humor and Pain".The Beacon Journal /Akron, OH/, pE10,
Dec. 19, 1993. /photo/
Cullinan, Helen; "Metalsmiths Reflect On Reality".Cleveland Plain Dealer /Cleveland, OH/, p2, Dec. 17, 1993.
Cunninham, William; "Exhibit Shows Jewelry As Narrative Tool".West Side Leader /Akron,
OH/, p16, Dec. 9, 1993. /photo/
Metcalf, Bruce; "Recent Sightings". Metalsmith, p6, Fall 1993.
NorthEast Ohio Task Force on AIDS; "Akron Art Museum Presents...". NEOTFA Newsline
/Akron, OH/, p1, Fall 1993.
Tannenbaum, Barbara, Her Story, His Story: Jewelry and Sculpture by Kathleen Browne
and Keith Lewis /catalog/, Akron Art Museum /Akron, OH/, Dec 1993. /photos, essay/
1992 Tannenbaum, Barbara; "Her Story, His Story". Akron Art Museum Exhibitions & Events /cont/ /Akron, OH/, p1, Sep/Oct 1993, Nov./Dec. 1993. /photos/
Floden, Roberta; "New Artists, Old Cultures at Marin Galleries". Marin Independent Journal
/Marin County, CA/, pC5, July 9, 1993. /photo/
Silver, Joanne; "MIT Crafts Exhibit Captures World's Ills". Boston Herald /Boston, MA/,
pS23, June 11, 1993.
Temin, Christine; "Subversive Crafts: Art With an Attitude". Boston Globe /Boston, MA/,
Living Section, p29, May 31, 1993. /photos/
Kline, Katy; Subversive Crafts /catalog/. List Visual Arts Center, MIT Press, Cambridge, MA,
pp24/25/47, 1993. /photos, essay, biography/
1991 Cortright, Barbara; "National Metals Invitational". Metalsmith, p47, Summer 1991. /photo/
Bodine, Sarah; Editorial Mention. Metalsmith, p4, Summer, 1991.
Gluckson, R.K.; "You Pierced Your WHAT?!".The Daily of the University of Washington
/Seattle, WA/, p1, Jan 14, 1991.
1990 Miller, Lenore D.; "The Fifth Juried Biennial Exhibition". Metalsmith, p48, Summer 1990.
1989 Papier, Deborah; "Feats of Gold". Washington Museum and Arts /Washington, DC/, p74,
Nov/Dec 1989. /photo/
Longhi, B. H.; "Keith A. Lewis: Works in Metal". Metalsmith, p47, Spring 1989. /photo/
1987 Davis, Vicki; "Keith Lewis Concocts Avant Garde Lifestyle". The Whale /Lewes, DE/, p6,
Apr 1987. /photo/
Morgan, Donna; "From Junk To Jewelry". Delaware State News /Dover, DE/, p29, Jan 11,
1985 Whyche, Stephanie; "Men with Earrings". Wilmington News Journal /Wilmington, DE/, pH1,
Sep 1, 1985. /Photo/
Joseph & Lee Ashley; Seattle, WA. Susan Hoagland; Corta Madera, CA.
Carol Bennett; Seattle, WA. Richard Levine; Berkely, CA.
Susan Beech, San Francisco, CA. Betty Helen Longhi; Winston-Salem, NC.
Michael Bennett, DeKalb, IL. Dr. Ron Porter; Columbia, SC.
Gail Brown; Philadelphia, PA. Kerry Ricker; Washington, DC.
Sharon & Craig Campbell, San Anselmo, CA. Diane Rose; Cambridge, MA.
Helen Williams Drutt, Philadelphia, PA. George & Dorothy Saxe; Menlo Park, CA.
Don & Heide Endemann; Gualala, CA. Donna Schneier, New York, NY.
Emily Gurtman, Largo, FL. Ken Trapp; Washington, DC.
Lloyd Hermann, Seattle, WA. Robin Williams; San Francisco, CA.
/Independent Artist/Writer/Curator. Mentor & Former Professor of Art, Kent State University/
127 Birch Avenue,
Bala Cynwyd, PA 19004
/home/ 610 771 6449
/studio/ 215 763 6449
/Gallery Owner. Has represented my work since 1993/
12 Miller Avenue
Mill Valley, CA 94941
/gallery/ 415 383 1512
/Professor, Central Washington University; Art Department Chair/
c/o Department of Art
Central Washington University
Ellensburg, WA 98926
/office/ 509 963 2665
/ADDITIONAL REFERENCES & SUPPORT MATERIALS AVAILABLE UPON REQUEST/